Highlights

I just finished Wallflower at the Orgy, and it turns out that Nora Ephron is just as honest about herself as Joan Didion. Maybe even more so. In an essay titled "Makeover," she writes about the women's magazine makeover craze of the 70s and 80s, and her personal experience with plastic surgery and high-fashion hair and makeup, and her disappointment with the results on herself. As a woman who learned early how to be funny because I wasn't going to get attention any other way, I completely understand her reaction to a makeup artist's claim that he can make any woman interesting if not beautiful:

"But I am interesting. It's beautiful I want to be."

Yeah, Nora. I know.

*****

Nora Ephron knew about interesting at the macro and micro levels. She writes about the famous and influential people of the time--Helen Gurley Brown, Bill Blass, James Beard and Craig Claiborne, Jacqueline Susann--and in a sentence or two you understand something essential to their personalities; and then in just another sentence or two, you see how they turned their particular preoccupations into hugely influential cultural trends. For better or for worse (it's hard for me to think of Helen Gurley Brown's influence as anything but disastrous, though I believe that she sincerely thought that she was helping young women), Ephron's subjects shaped the popular culture in which I came of age.

This has always been an interesting topic to me. With unusual prescience that allows them to see a shift in tastes or beliefs just before it materializes, some people just know what will be in or out a few minutes before the rest of us catch on. Or by sheer force of personality, they make a trend happen, instead of just predicting it. I'm a quiet person most of the time (what Helen Gurley Brown would have called a "mouseburger") and I also tend not to notice things until they're utterly impossible to miss. A stylish person can explain to me why a particular look is good or bad, and I'll understand; but even if I had the ability to envision and create a new fashion or a new literary trend or a new direction in American cuisine, I don't think that people would follow my lead. And that's OK. Cultural icon status is too much responsibility for one person to bear.

*****

Now it's Veterans' Day; another unearned gift of a day off . At 4:38 PM, it's almost dark. It's cold and heavily overcast, so I can't see the sun setting; just the light gray solidly cloudy sky with an etching of dark gray almost-bare trees. The weekend is pretty much over, but that's OK, too. I squeezed as much out of the three days as I could, and now it's time to work again.

*****
Wednesday night. I'm watching hockey; the Washington Capitals (of course) vs. fucking Winnipeg. An uneventful game thus far. Not so the weather. It's November 14 and we're already bracing for the dreaded, God-forsaken, bane-of-the-Northeast's-existence "wintry mix," my least-favorite two-word combination other than "password reset." It's going to be a long winter. Snow in November is neither interesting nor beautiful.

*****
The Capitals lost. They're very inconsistent this year. It's Thursday now. Icy pavements and sleet tapping on the windows and temperatures hovering just below freezing. I'm not ready for this dead-of-winter nonsense in the middle of November. The January inertia is descending and it's not even Thanksgiving.

On the other hand, the weather forced cancellation of an evening meeting that I hadn't been looking forward to, and now I'm finished everything I needed to do today at the delightfully early hour of 8:30 PM. Even winter has its consolations. I'm awash in free time, so I'll find something new to read. If I don't have anything coherent to say next week (because why should next week be different from any other), then at least I'll have book reviews, weather reports, and sports highlights. You've been warned