Chris Rea’s “Fool (If You Think it’s Over)” is one of those songs that I can’t skip through. If it starts playing on the radio just as I’m parking, then I’m going to sit in the car until it’s over.
This song was popular in 1978. I was 12, and I remember hearing it all the time and not particularly liking it. I liked up-tempo pop and disco at the time. “Fool” is not quite a ballad but it’s not really a pop song either. And something about it felt off. At 12, I was quite aware of creepy men, and I thought that the song’s voice was that of a creepy older man chasing after a young girl. But I was wrong. The lyrics that I thought were creepy turned out to be actually really sweet when you know the backstory. And thanks to the internet, I know the backstory.
I hadn’t heard “Fool (If You Think it’s Over”) in literally decades, but it played on the radio one day, and I listened to it all the way through for the sake of nostalgia. And then something about the song grabbed me, so I listened to it again, and then again. Then I looked up Chris Rea, who was a pretty successful singer and musician in his native England. When he wrote “Fool (If You Think it’s Over),” he hoped to convince Al Green to record it, but the record company liked his demo recording and insisted that he record the song himself. It ended up being his only hit in the US.
The real story, though, is the song’s inspiration. Chris Rea wrote “Fool” about his younger sister, Paula, who was heartbroken after her breakup with her first boyfriend. “The pains of 17/unreal they’re only dreams” is just the sort of infuriating thing a know-it-all big brother would say to a younger sister. But it’s clear somehow that he doesn’t mean “unreal” in the sense of imaginary or unimportant. The singer knows that the girl’s pain is real in the moment, but he also knows that it won’t last and that it won’t have any real impact on her life. He wants her to know that she’ll move on and that things will get better.
Context changes everything. “I’ll buy your first good wine..ooh we’ll have a real good time” was the line that made me think that the song was about a predator trying to groom a young girl. Instead, it’s a brother promising his younger sister that there’s so much more ahead of her - both good times and bad - than a teenage romance. And now, every time I hear that song, I imagine a brother consoling his younger sister over a bottle of wine. And I imagine the young girl cheering up and realizing that her brother is right and that the boy wasn’t worthy of her in the first place. And I imagine that the brother and sister actually do have a real good time. I hope that Chris and Paula Rea had a real good time.
*****
During the early pandemic months in 2020, I started to watch “The Americans,” and I didn’t make it past episode 1. After a brutal rape 20 minutes in, I turned it off, absolutely furious. I’m tired of sexual violence as a plot point. Oddly enough, those of us who have actually endured it (and trust me that there are more of us than you think) don’t find brutal rape scenes very entertaining.
Anyway, I started watching the show again recently. I skipped that scene, knowing that it was coming, but of course there was other sexual violence to come. And the almost lost me again, and not only for that reason. I just had a hard time believing in some of the period details and in the premise itself. But it started to grow on me. A few episodes in, I began to see how well it captures the period; not so much in visual details (but many of the visuals, especially the fashion, are spot-on) but in the settled comfortable certainty of the upper middle class characters and their unshakeable belief in the mid-century idea of America. Then I watched three consecutive episodes when I was sick (again!) and the constant sex and violence and family drama felt repetitive.
But the acting is absolutely brilliant. Keri Russell and Matthew Rhys and Noah Emmerich and the brilliant Alison Wright and Annet Mahendru. And while I still think that the sexual content is largely gratuitous and exploitative, the story and the pacing and the world that it creates are absorbing and compelling. Bottom line: This is a show best consumed a little at a time, with long breaks in between.
Side note about Matthew Rhys - I’d heard somewhere that he was Welsh, but I’d never seen him play anything but Americans - mostly cold-blooded killers or dour misanthropes (I loved his performance as Lloyd in A Beautiful Day in the Neighborhood). I guessed that maybe he was born in Wales but raised in the US. Then I saw an interview with him, and that man is as Welsh as Dylan Thomas and also an absolute delight. I imagine a director saying something like “I need an actor to play a remorseless, pitiless murderer and/or an absolute miserable son of a bitch” and the casting director responding “I know! Let’s get that charming Welsh chap who sounds like he spends his days singing with his friends in a cozy seaside pub!” Uncanny. Matthew Rhys is really good at his job.
*****
Our neighborhood civic association sponsors a summer movie series. “Song Sung Blue,” a movie that I assiduously avoided when it was first released, was the summer’s first selection, and I went for two reasons: My friends asked me to go, and no one else was home so what else did I have to do?
Why did I try to avoid this movie, you might ask? Because I grew up hearing Neil Diamond all day every day and even though I still like him (how can you not), I didn’t need to see a movie about crazy Neil Diamond fans. I lived with one. That was my whole childhood. At one point in the movie, the Neil Diamond tribute singer portrayed by Hugh Jackman argues with his manager, trying to make a case for “Soolaimon” as the band’s opening number. “Nobody knows Soolaimon!” the man yells. “I fucking know ‘Soolaimon,’” I thought to myself. I haven’t heard “Soolaimon” in decades but I bet I remember every note.
The movie is based on a true story, and was different and much better than I expected. Kate Hudson deserved that Oscar nomination. I might even listen to some Neil Diamond today.
*****
I just finished reading Leaving Aberdeen, a memoir by Estell Sims Halliburton. Mrs. Halliburton is a Black woman who was born on a sharecropping plantation in Mississippi in the 1940s. Her memoir tells the story of her early childhood picking cotton and living in a plantation shack through her family’s first real home in the town of Aberdeen to her first year in college at Tuskegee to her first summer in New York City as a 19-year-old on her own for the first time. That summer then turned into years, as the young Estell takes a break from school, works as a model and bookkeeper and store clerk, and marries a young soldier who ships out to Vietnam shortly after their wedding day.
Halliburton’s writing style is uneven, but in a good way. She veers back and forth between formal and colloquial language, and the tone is inconsistent. Sometimes, she just recounts events as she recalls them. Sometimes, she places those events in the context of the Civil Rights Movement and other major historical events of the mid-20th century. The emotional tone varies, too - from her righteous anger as a Black woman who came of age in the Jim Crow South and learned that often, the North wasn’t any less racist; to love for her husband, children, parents, siblings, and friends. The book reads as if it was written in spurts, a few pages here and there as time permitted. The resulting variations in tone and voice make it very readable and human and moving.
The young Halliburton family seemed to have had a rich and interesting life as working people and parents in 1970s New York, and I was surprised by their decision to return to the South. Mrs. Halliburton wrote a second memoir about the family’s life in Atlanta after the move, so I’ll read it and find out if it was the right decision. I do hope so. I’m invested now.
*****
I started this as just a little journal of short reviews - a song, a movie, a TV show, a book - and then I realized that it reads like I spend all my time reminiscing about the 20th century. And I do.
No, I really don’t. I don’t miss most things about the 20th century. But I do miss believing that I lived in the greatest and most benevolent country in the world. I miss the world in which everyone knew more Neil Diamond songs than “Sweet Caroline.” I miss pop music on AM radio.