Fiction and non-fiction

Monday: It's 6:50 AM, and I'm the only person in the house who's awake, but that will change in 20 minutes or so. Meanwhile, it's time to get started on a post for the week.

In "Stranger Than Fiction," Will Ferrell plays an accountant who is also the lead character in a work-in progress novel written by a neurotic novelist played by Emma Thompson. He discovers (I forget how) that he is not only a fictional character, but a doomed one; and he spends the rest of the movie trying to change his fate and convince the author not to kill him off. It's a good movie.

I'm not a novelist, but I write. Some days, I do little else. Sometimes I write about how or why to do things that must be done--a procedure, or a policy, or a weekly email that lets swim team families know what meets and events are happening this week, and what everyone has to do to make sure that those things happen.  Sometimes, I write about things that have already happened--a past performance narrative for a proposal, or a blog post about a new product release, or another email newsletter with highlights of the last month's events and accomplishments.

I realized yesterday, as I wrote a weekly newsletter, that writing about events and plans is almost the same for me as actually making them happen. In fact, it's the only way that I can make something real and concrete.

*****
And now it's Wednesday, and who even knows what I was thinking when I wrote that. It was a bad day.

But Tuesday was a much better day. At 12:30 or so, I was in a meeting at the government site where I work, when a senior Fed interrupted the meeting to announce that the Thai soccer players and their coach had all gotten safely out of the flooded cave where they'd been trapped

That night, my sons were watching "The Martian," a pretty good movie, on TV. I wondered aloud if the movie had already been scheduled to air, or if the network's programmers had made a last-minute decision to show it after the miraculous rescue. My older son asked me what one thing had to do with the other. What does a high-budget movie about an improbable space mission have to do with 12 little boys and one man trapped in a dank, cold, pitch-black underground pit, that could so easily have been their tomb?

A world waiting with bated breath, watching a race against life and death. A no-expenses spared all-hands-on-deck rescue mission. Volunteers willing to endure great physical hardship, even extreme danger, just for the possibility of saving one life, or 13. The heartbreaking sacrifice of a hero who gives up his own life to save others'. And a cinematic happy ending. No matter how awful humanity can be (and we suck sometimes), we will still bear any burden and pay any price (JFK, I think) to save another person's life, whether he's lost in space or trapped in an underground pit. You couldn't write a happier ending. 

Saman Kunan, rest in peace.